The Siete pecados mortales of Juan de Mena and the Continuación of Gómez Manrique: variants and variations in the Cancionero de Llavia (86*RL)
DOI:
https://doi.org/10.37536/RLM.2022.34.1.97073Keywords:
Juan de Mena, Gómez Manrique, Cancionero de Llavia, Ecdotics, Textual transmision, VariantsAbstract
The Coplas de los pecados mortales is the only work that Juan de Mena left unfinished. Although several authors continued the poem, it was Gómez Manrique who obtained a notable success and, thus, it is evident in the textual tradition, since it is frequent that both the part of Mena and that of Gómez Manrique appear consecutively in the testimonies, whether manuscript or printed. The textual transmission of these works is complex and their arrival in print also generates numerous variants and errors that are not found in the manuscript tradition. The Coplas de los pecados mortales by Juan de Mena and the Continuación by Gómez Manrique are printed for the first time in 1483, since they are included in the Cancionero de Íñigo de Mendoza (83*IM); the next time they are published they appear in the Cancionero de Llavia. The aim of this work is, therefore, to analyze the variants and variations of these texts in 86*RL: to detect errors, to catalogue their typology, to locate the unique readings and the possible degree of interventionism in the texts. All of this will ultimately serve to situate the Cancionero de Llavia in a given position within the stemma.
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