Dynamisation of a theatrical performance with secondary school students to prevent micro-chauvinism violence
DOI:
https://doi.org/10.7179/PSRI_2023.43.10Keywords:
Theatre, vocational training, secondary education, gender equality, comunicative competenceAbstract
This work use a qualitative methodology based on a case study, and it arises from the data obtained from the dynamisation carried out by a group of 45 Vocational Training (VET) students with an audience of secondary school students (ESO) after the presentations of a theatrical performance. The aim of these activities was to facilitate cognitive distancing and the recovery of the tacit knowledge that the audience brought with them about the social constructions of gender and, specifically, situations of violence. In this context, some samples of the contributions made by different groups of secondary school students have been described and analysed in order to present alternatives for improving the content of the theatrical performance. The results have allowed us to conclude a) that the particular characteristics of the theatrical performance and the dynamisation allow young people to see themselves represented and challenged with respect to micro-chauvinism violence; b) that the possibilities offered by the theatrical space itself as a laboratory of citizen creation broaden the spectatorial and/or communicative competences of adolescents from a critical gender perspective; and c) that the professional competences of the VET students increase in the dynamisation experience, as an internship, by transferring knowledge linked to equality and education with a gender perspective that they will later develop in their working life.
Downloads
References
Abraham, N. (2017). Witnessing change: understanding change in participatory theatre practice with vulnerable youth in a Kids Company-supported primary school. Research in Drama Education: The Journal of Applied Theatre and Performance, 22(2), 233-250. https://doi.org/10.1080/13569783.2017.1293510
Ballesteros, J. C., Sanmartín, A. y Tudela, P. (2018). Barómetro juvenil sobre Vida y Salud. Centro Reina Sofía sobre Adolescencia y Juventud. https://doi.org/10.5281/zenodo.3537684
Barron, B. (2006). Interest and Self-Sustainedb Learning as Catalyst of Development: A Learning Ecology Perspective. Human Development.
Barone, T. (2001). Science, art, and the predispositions of educational researchers. Educational Researcher, 30(7), 24-28. https://doi.org/10.3102/0013189X030007024
Bateman, T. y Coetzee, M. H. (2018). Dramatizing gender: Exploring gender constructs through drama-based strategies. Youth Theatre Journal, 32(2), 124-137. https://doi.org/10.1080/08929092.2018.1529470
Beth Gonzalez, J. (2018). Towards recognition and regard: Creating connectivity in theatre education through intentional wakefulness. Youth Theatre Journal, 32(1), 30-44. https://doi.org/10.1080/08929092.2018.1445051
Boal, A. (2002). Games for Actors and non-actors. Routledge.
Bonino, L. (1995). Desvelando los micromachismos en la vida conyugal. En J. Corsi (Eds.), Violencia masculina en la pareja. Una aproximación al diagnóstico y a los modelos de intervención (pp. 191-208). Paidós.
Bruner, J. (1986). Actual minds, possible worlds. Harvard University Press.
Cahill, H. y Dadvand, B. (2021). Triadic labour in teaching for the prevention of gender-based violence. Gender and Education, 33(2), 252-266. https://doi.org/10.1080/09540253.2020.1722070
Cantera, L. y Blanch, J. M. (2010). Percepción social de la violencia en la pareja desde los estereotipos de género. Intervención Psicosocial, 19(2), 121-127. https://doi.org/10.5093/in2010v19n2a3
Coetzee, M. H. (2018). Embodied knowledge(s), embodied pedagogies and performance. South African Theatre Journal, 31(1), 1-4. https://doi.org/10.1080/10137548.2018.1425527
Corona Berkin, S. y Kaltemeier, O. (2012). En diálogo. Metodologías horizontales en Ciencias Sociales y Culturales. Barcelona.
Charmaz, K. (2006). Constructing Grounded Theory. A Practical Guide through Qualitative Analysis. SAGE.
Chase, S. E. (2015). Investigación narrativa. En N. K. Denzin y Y. Lincoln (Coords.), Métodos de recolección y análisis de datos. Manual de Investigación Cualitativa Volumen IV (58-112). Gedisa.
Crabtree, R. D., Sapp, D. A. y Licona, A. C. (Eds.). (2009). Feminist pedagogy: Looking back to move forward. Johns Hopkins University Press.
Denzin, N. K. y Lincoln, Y. (Coords.). (2015). Métodos de recolección y análisis de datos. Manual de Investigación Cualitativa Volumen IV. Gedisa.
Díaz-Aguado Jalón, M. J., Martínez Arias, R., Martín Babarro y J., Falcón, L. (2021). La situación de la violencia contra las mujeres en la adolescencia en España. Ministerio de Igualdad. Delegación del Gobierno contra la Violencia de Género. https://www.observatoriodelainfancia.es/ficherosoia/documentos/7357_d_Estudio_ViolenciaEnLaAdolescencia.pdf
Díaz de Greñu Domingo, S. y Anguita Martínez, R. (2017). Estereotipos del profesorado en torno al género y a la orientación sexual. Revista Electrónica Interuniversitaria de Formación del Profesorado, 20(1), 219-232. https://doi.org/10.6018/reifop/20.1.228961
Donoso Vázquez, T., Rubio Hurtado, M. J. y Vilà Baños, R. (2018). La adolescencia ante la violencia de género 2.0: concepciones, conductas y experiencias. Educación XX1, 21(1), 109-133. https://doi.org/10.5944/educxx1.20180
Duffy, P. y Powers, B. (2018). Blind to what’s in front of them: Theatre of the Oppressed and teacher reflexive practice, embodying culturally relevant pedagogy with pre-service teachers. Youth Theatre Journal, 32(1), 45-59. https://doi.org/10.1080/08929092.2018.1445677
Edmiston, B. (2014). Transforming teaching and learning with active and dramatic approaches: engaging students across the curriculum. Routledge.
Enria, L. (2016). Co-producing knowledge through participatory theatre: reflections on ethnography, empathy and power. Qualitative Research, 16(3), 319-329. https://doi.org/10.1177/1468794115615387.
Fischer-Lichte, E. (2011). Estética de lo performativo. Abada.
Flyvbjerg, B. (2004). Cinco malentendidos de la investigación mediante los estudios de caso. Revista Española de Investigaciones Sociológicas (REIS), 106, 33-62. http://www.reis.cis.es/REIS/PDF/REIS_106_041167998142322.pdf
Freebody, K. y Finneran, M. (2013). Drama and social justice. En M. Anderson. y J. Dunn (Eds.), How drama activates learning: Contemporary research and practice (pp. 47-63). Bloomsbury Publishing.
Gallagher, K. (2000). The everyday classroom as problematic: A feminist pedagogy. Curriculum Inquiry, 30(1), 71-81. http://www.jstor.org/stable/3202130
Gallagher, K. (2011). Write Like This: Teaching Real-World Writing Through Modeling and Mentor Texts. Stenhouse Publishers.
Gallagher, K. y Sahni, U. (2019). Performing care: re-imagining gender, personhood, and educational justice. Gender and Education, 31(5), 631-642. https://doi.org/10.1080/09540253.2019.1609652.
García, A., Hidalgo, M., López, C. y Román, M. R. (2018). Los micromachismos en los adolescentes. Su asociación con las relaciones de pareja y el modelo de maternidad y paternidad. Cultura de los cuidados: Revista de Enfermería y Humanidades, 51, 144-153. https://doi.org/10.14198/cuid.2018.51.16.
García-Huidobro Valdés, V. (2021). Teatro Aplicado y Pedagogía Teatral. En L. d. Canto Fariña., V. García-Huidobro Valdés., A. Sedano Solís. y Compañía la Balanza: Teatro y Educación, Teatro Aplicado en Educación (pp. 57-112). Universidad Católica de Chile.
Helbo, A. (2021). La metamorfosis del espectador y la competencia espectacular. Tropelías. Revista de Teoría de la Literatura y Literatura Comparada, 35, 11-22. https://papiro.unizar.es/ojs/index.php/tropelias/article/view/5074
Jackson, A. y Vine, C. (2013). Learning through theatre: The changing face of theatre in education. Routledge.
Landy, R. J. y Montgomery, D. T. (2012). Theatre for change: education, social action and therapy. Palgrave Macmillan.
Motos, T., Benlliure, V. A. y Fields, D. L. (2019) The impact of theatrical experiences on young adults in Spain. Research in Drama Education: The Journal of Applied Theatre and Performance, 24(2), 192-200. https://doi.org/10.1080/13569783.2018.1494562
Motos, T. y Ferrandis, D. (2015). Teatro aplicado. Teatro del oprimido, teatro playback, dramaterapia. Octaedro.
Motos, T., Navarro, A., Ferrandis, D. y Stronks, D. (2013). Otros escenarios para el Teatro. Ñaque.
Munday, C., Anderson, M., Gibson, R. y Martin, A. J. (2016). Drama in schools. Agency, community and the classroom. En M. Finneran y K. Freebody (Eds.), Drama and social justice: Theory, research and practice in International contexts (pp. 75-88). Routledge.
Neelands, J. (2007). Taming the political: the struggle over recognition in the politics of applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 12(3). https://doi.org/10.1080/13569780701560388
Nicholson, H. (2005). Applied drama: the gift of theatre. Palgrave Macmillan.
O’Connor, P. (2013). Drama as critical pedagogy: Re-imagining terrorism. En M. Anderson. y J. Dunn (Eds.), How drama activates learning: Contemporary research and practice (pp. 125-134). Bloomsbury.
Pradena-García, Y., Anguita-Martínez, R. y Fernández-Rodríguez, E. (2022). Metodologías concientizadoras para la promoción de la igualdad de género a través del Teatro Aplicado en Educación. Revista Izquierdas, 51, 1-23. https://dialnet.unirioja.es/servlet/articulo?codigo=8361346
Román, R. y Faepb, A. A. (2017). Juventud universitaria, micromachismos y relaciones de noviazgo. REencuentro. Análisis de Problemas Universitarios, 28, (74), 149-169. https://reencuentro.xoc.uam.mx/index.php/reencuentro/article/ view/935/930
Ryan, G. W. y Bernard, H. R. (2003). Techniques to identify themes. Field methods, 15(1), 85-109. https://doi.org/10.1177/1525822X0223956
Ruiz-Bueno, A. (2008). La mostra: alguns elements per a la seva confecció. REIRE Revista d’Innovació I Recerca En Educació, 1(1), 75-88. https://doi.org/10.1344/reire2008.1.1117
Ruiz-Narezo, M., Santibáñez-Gruber, R. y Laespada-Martínez, T. (2021). Conducta antisocial y delictiva, violencia escolar y violencia en las relaciones de pareja en adolescentes. Pedagogía Social. Revista Interuniversitaria – RECyT, 39, 140-152. https://doi.org/10.7179/PSRI_2021.39.09
Santos, B. (2017). Teatro del oprimido. Raíces y Ala. Una teoría de la praxis. Descontrol.
Sedano-Solís, A. S. (2019). El Teatro Aplicado como campo interdisciplinario de investigación en los Estudios Teatrales. Artnodes, 23, 104-113. https://doi.org/10.7238/a.v0i23.3260.
Simons, H. (2009). El estudio de caso: teoría y práctica. Morata.
Sloan, C. (2018). Understanding spaces of potentiality in applied theatre. Research in Drama Education: The Journal of Applied Theatre and Performance, 23(4), 582-597. https://doi.org/10.1080/13569783.2018.1508991
Stahl, S. (2018). Acting Out to Call In: Practicing Theatre of the Oppressed With High School Students. The Educational Forum, 82(3), 369-373. https://doi.org/10.1080/00131725.2018.1457123.
Stake, R. E. (2005). Investigación con estudio de casos. Morata.
Taylor, L. (2019). Towards a concept of inefficiency in performance and dialogue practice. Research in Drama Education: The Journal of Applied Theatre and Performance, 24(3), 333-351. https://doi.org/10.1080/13569783.2019.1619449.
Villanueva Vargas, M. C. (2019). Opening spaces for Critical Pedagogy through Drama in Education in the Chilean classroom [Tesis de doctorado, Trinity College Dublin. School of Education]. Archivo digital. http://www.tara.tcd.ie/handle/2262/86151.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright and right to archive
The published version of the articles can be self-archived by their authors in open access institutional and thematic repositories. However, Pedagogía Social. Revista Interuniversitaria must authorize partial or global reutilisation on new papers or publications.
Published papers must be cited including the title of the journal Pedagogía Social. Revista Interuniversitaria, issue, pages and year of publication
Ethical responsibilities
Pedagogía Social. Revista Interuniversitaria does not accept any material that has been previously published in other documents or publications. Authors are responsible for obtaining the required permissions for partial or global reproduction any material from other publications, and to correctly quote its origin.
Pedagogía Social. Revista Interuniversitaria is obliged to detect and report fraudulent practices.
Only those who have intellectually contribute to the development of the paper must appear as authors.
The journal expects authors to declare any commercial partnership that might entail a conflict of interest with respect to the submitted article.
Authors must mention in the article, preferably in the “methodology” section, that the procedures used during the samplings and controls have been made after getting informed consent.
The journal will not use any received contribution in a way other than the goals described in these guidelines.
Copyright Notice
© Pedagogía Social. Revista Interuniversitaria. Papers published in both the printed and online versions of this Journal are property of Pedagogia Social. Revista Interuniversitaria, being required to cite the source in any partial or total reproduction.
Unless otherwise stated, all content of this electronic journal is distributed under "Creative Commons Attribution-Non commercial 3.0 Spain" (CC-by-nc) license for use and distribution. The informative version and the legal text of this license is available here. This has to be expressly stated in this way when necessary.