«La tradición medieval en la escena contemporánea espola. Dimonis de comediants»
DOI:
https://doi.org/10.37536/RLM.2017.29.0.69403Abstract
Resumen: En más de una ocasión se ha señalado la ausencia de tradición dramática medieval, que además se ha extrapolado a la carencia total de tradición escénica en el contexto occidental. Sin embargo, es incontestable que existió una tradición teatral durante la Edad Media, que incluso mantiene ciertos vestigios en el teatro contemporáneo. A través de este artículo se pretende reconstruir un vínculo, en concreto el del demonio medieval, con un espectáculo emblemático para la tradición escénica contemporánea española, Dimonis de Comediants, que espero contribuya a la mejor comprensión del espectáculo en su propio contexto y a la recuperación de esa tradición a veces pensada como inexistente.
Palabras clave: Dimonis, Comediants, teatro contemporáneo, Festival Internacional de Teatro de Granada, demonio medieval.
Abstract: Often has the lack of medieval drama texts been interpreted as a lack of theatre tradition altogether. Nonetheless, there was a theatre tradition during the medieval period that extends all the way to the contemporary theatre. Through these pages, I intend to give an account of the link between the medieval daemon with a contemporary Spanish emblematic performance, Dimonis by Comediants, with which I hope to contribute to a better understanding of it as well as to reconstruct a tradition once thought as non-existent.
Keywords: Dimonis, Comediants, contemporary theatre, Granada Interna- tional Theatre Festival, Medieval daemon.
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