«El espacio construido, el banquete y la fiesta en Durmart le Galois»
DOI:
https://doi.org/10.37536/RLM.2017.29.0.69391Abstract
Resumen: Durmart le Galois no es una novela artúrica convencional. Los caballeros de la Tabla Redonda son relegados a un segundo plano frente al protagonismo que cobra el héroe epónimo. Su estructura carece de una etapa de crisis personal o social del héroe, de forma que la aventura constituye un itinerario cuyas etapas se despliegan a través de una vasta geografía. Los castillos y ciudades se imponen sobre otros espacios salvajes, como el bosque, más frecuentes en otras obras caballerescas. La descripción de estos lugares construidos parte de los cánones establecidos por la tradición literaria, pero se aleja después y muestra un espacio amable, abierto a la sociabilidad y al entretenimiento. El ambiente festivo inunda la novela y encuentra su culminación en el banquete, con sus rituales y su protocolo. En torno a la mesa, los comensales intercambian conversaciones que mar- carán el progreso de la intriga.
Palabras clave: espacio, sociabilidad, banquete, fiesta.
Abstract: Durmart le Galois is not a conventional Arthurian novel. The knights of the Round Table are pushed into the background, while relevance is given to the eponymous hero. Its structure lacks a stage of personal or social crisis of the hero, so, adventure covers an itinerary whose stages are displayed throughout a vast geography. Castles and cities replace other wild spaces, such as the forest, which are more frequent in other chivalric works. The description of these built-up spaces starts from the pre-established literary canons, but later it moves away from conventions, and it depicts a gentle space, which is open to sociability and entertainment. A merry atmosphere floods the novel, and it reaches its climax in the banquet, with its rituals and protocol. Around the table, guests exchange conversa- tions, which will influence the unfolding of the plot.
Keywords: space, sociability, banquet, party.
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