Gutiérrez Trápaga, Daniel, Rewritings, Sequels and Cycles in Sixteenth-Century Castilian Romances of Chivalry. ‘Aquella inacabable aventura’, Woodbridge, Tamesis, 2017

Authors

  • Leticia Álvarez-Recio Universidad de Sevilla

DOI:

https://doi.org/10.37536/RPM.2019.33.0.63850

Keywords:

Sixteenth-Century Iberian chivalric books, chivalric cycles, sequels

Abstract

Reseña del libro: Gutiérrez Trápaga, Daniel, Rewritings, Sequels and Cycles in Sixteenth-Century Castilian Romances of Chivalry. ‘Aquella inacabable aventura’, Woodbridge, Tamesis, 2017, 200 pp.

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References

Alvar, Carlos. «La Materia de Bretaña y su difusión en la península ibérica». En Libros de caballerías.1. Materia de Bretaña en la península ibérica: literatura caballeresca artúrica y tristaniana. Coord. Marta Haro Cortés & José Manuel Lucía Megías. Valencia: Proyecto Pamaseo de la Universitat de València, 2016, pp. 5-68.

Eisenberg, Daniel & María del Carmen Marín Pina (Eds). Bibliografía de los libros de caballerías castellanos. Zaragoza: Prensas Universitarias de Zaragoza, 2000.

Gómez Redondo, Fernando. Historia de la prosa de los Reyes Católicos: el umbral del renacimiento. Madrid: Cátedra, 2012.

González, Aurelio et al (Eds). Palmerín y sus libros: 500 años. México: El Colegio de México, 2013.

Hook, David (Ed), The Arthur of the Iberians. The Arthurian Legends in the Spanish and Portuguese Worlds. Cardiff: University of Wales Press, 2015.

Lucía Megías, José Manuel & María del Carmen Marín Pina (Eds). Amadís de Gaula: quinientos años después. Alcalá de Henares: Centro de Estudios Cervantinos, 2008.

Mérida Jiménez, Rafael M. Transmisión y difusión de la literatura caballeresca. Lleida: Universitat de Lleida, 2013.

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Published

2019-12-31

How to Cite

Álvarez-Recio, L. (2019) “Gutiérrez Trápaga, Daniel, Rewritings, Sequels and Cycles in Sixteenth-Century Castilian Romances of Chivalry. ‘Aquella inacabable aventura’, Woodbridge, Tamesis, 2017”, Revista de poética medieval, 33, pp. 163–166. doi: 10.37536/RPM.2019.33.0.63850.

Issue

Vol. 33 (2019): Los repertorios poéticos digitales: del Medievo a la interoperabilidad

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