«‘A fijar con ritmo y rima / el fluyente pensamiento’: huellas del Cancionero medieval en el Cancionero de Unamuno»
DOI:
https://doi.org/10.37536/RPM.2014.28.0.53209Abstract
Resumen: La adopción de la cuarteta aconsontada y de otras formas tradicionales de tipo cancioneril en el Cancionero de Unamuno tiene una función sobre todo condensadora y rítmica, presentando varios aspectos: desde formas imitativas e híbridas que incluyen temas medievales, pasando por aforismos y sentencias, hasta experimentos de tipo vanguardístico que multiplican planos semánticos.
Palabras clave: Unamuno. Cancionero. Estrofa tradicional. Poesía medieval. Poesía del siglo XX.
Abstract: The adoption of the rhymed quartet and of other traditional medieval Spanish poetry patterns in Unamuno’s Cancionero has mainly a condensing and rhythmic function, offering different aspects, from hybrid counterfeits which include medieval themes, going through aphorisms and sayings up to avant-garde experiments which multiply semantic layers.
Keywords: Cancionero. Traditional strophe. Medieval poetry. 20th century poetry.
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