«Del cancionero de corte al cancionero burgués: el caso de Nápoles, Milán y Venecia».
DOI:
https://doi.org/10.37536/RPM.2014.28.0.53216Abstract
Resumen: Aunque se cultivó de manera muy peculiar en el Nápoles aragonés, en el Milanesado y en Venecia, la poesía de cancionero apenas si constituyó una forma de inversión para los impresores italianos, sobre todo en Venecia, capital de la imprenta europea a lo largo del siglo XVI. El artículo intenta detectar las causas de esta falta de interés. La única excepción la constituyen los cancioneros musicales “españoles” que continúan circulando manuscritos e impresos. Un ejemplo poco conocido es el del tratado La Chitarra de Francesco Palimbi, transmitido por el ms. 1434 de la Biblioteca Civica de Verona, que recoge una conspicua sección de textos musicales españoles.
Palabras clave: Poesía de cancionero. Impresores. Corte aragonesa en Nápoles. Milanesado. Venecia.
Abstract: Cancionero poetry, even though practiced in different and specific ways in Aragonese Naples, largely fails to stir the publishers and printers interest in Spanish Milan and in Venice. This lack of attention is especially evident in Venice, Europe’s printing capital in the 16th century. The present article aims to investigate the reasons behind such lack of interest. The only relevant exception is represented by Spanish musical songbooks, circulating both in manuscript and print. A little known example is Francesco Palumbi’s La Chitarra, in ms. 1434 of Biblioteca Civica di Verona, which includes a relevant section of Spanish musical scores.
Keywords: Cancionero poetry. Printers. Aragonese Naples. Spanish Milan. Venice.
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