«Espacios de memoria: el relato hagiográfico en textos y en imágenes. (A propósito de las "Tablaas de san Millán"»
DOI:
https://doi.org/10.37536/RPM.2013.27.0.52978Abstract
Resumen: Las denominadas «tablas de San Millán» son un par de pinturas castellanas de estilo gótico lineal fechadas ca. 1390. En la actualidad se encuentran en Logroño, en el Museo de La Rioja, pero hasta la década de 1930 formaron parte del retablo mayor de la iglesia de Suso, la iglesia vieja del famoso monasterio benedictino de San Millán de la Cogolla. Este artículo indaga en su disposición original, en su procedencia última y en el contexto de su creación, pero, sobre todo, presta especial atención a su programa iconográfico: el ciclo de San Millán (patrono del monasterio, cuyas reliquias se veneraban allí), basado en la obra de Gonzalo de Berceo, se somete a examen sobre el trasfondo de su tradición hagiográfica y de ciclos anteriores para destacar cómo se creó con la intención de promover su santuario al ofrecer una guía visual de lugares para ser visitados y experimentados.Palabras clave: San Millán de la Cogolla. San Millán. Gonzalo de Berceo. Hagiografía. Pintura gótica.
Abstract: The so-called ‘tablas de San Millán’ are a pair of Castilian paintings of the linear Gothic style dated c. 1390. They are nowadays preserved in Logroño, in the Museo de La Rioja, but until the 1930s they were assembled in the high altarpiece of Suso church, the old church of the famous Benedictine abbey of San Millán de la Cogolla. This article explores their original arrangement, their ultimate provenance and the context of their production. But, above all, special attention is paid to their iconographic display: the cycle of St Millán (the patron-saint of the abbey, whose relics were venerated there), based on Gonzalo de Berceo’s work, is discussed on the background of his hagiography and former cycles to underline how this cycle was intended to promote his sanctuary by offering a visual guide of places to be visited and experienced.
Keywords: San Millán de la Cogolla. St Millán. Gonzalo de Berceo. Hagiography. Gothic painting.
Downloads
Métricas alternativas
Downloads
How to Cite
Issue
Section
License
The opinions and facts stated in each article are the exclusive responsability of the authors. The University of Alcalá is not responsible in any case for the credibility and aunthenticity of the studies.
Authors will retain the rights on their work, even if they will be granting the journal a non-exclusive right of use to reproduce, edit, distribute, publicly communicate and show their work. Therefore, authors are free to enter into additional, independent contracts for non-exclusive distribution of the works published in this journal (such as uploading them to an institutional repository or publishing them in a book), as long as the fact that the manuscripts were first published in this journal is acknowledged.
Works are published under the terms stipulated in the Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0) that allows third parties to share the work under the following conditions:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.