«El Libro de Buen Amor: los poemas líricos»
DOI:
https://doi.org/10.37536/RPM.2012.26.0.30702Abstract
Resumen: La poesía lírica, en cuanto experiencia límite, permite la transformación de lo dual en una construcción unitaria, recuperando así su poder de dicción originario. Durante la Edad Media, los poemas se leían en voz alta, pues la lectura ayudaba a los oyentes a estar vivos, a sentir la plenitud de otra época en el hábito de la memoria. A diferencia de la organización unitaria de los cancioneros, lo que hallamos en el Libro de Buen Amor, es una yuxtaposición de diversos poemas, que forma parte de una estructura coral. Dicha variedad corresponde a diferentes estados de ánimo, que nos hacen pensar que fueron compuestos en distintos momentos.Abtract: Lyric poetry, in so far as it is an experience at the limits, allows the transformation of what is dual into a unitary structure, thus retrieving its original power of diction. In the Middle Ages, poems were read aloud and this reading helped the listeners to be alive and to feel in full the sensations of another era through the habit of memorizing. Far from being a mere addon, otside the work’s pattern of organization, the lyric poems that have been preserved in the Libro de Buen Amor form a part of its core structure. Their variety corresponds to differing states of mind, which suggests that they were composed at different points in time.
Palabras clave: Audición. Oralidad. Memoria. Variedad.
Keywords: Hearing. Orality. Memory. Variety.
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