The Corpus Rhythmorum Musicum Opportunities and perspectives of a digital critical edition
DOI:
https://doi.org/10.37536/RPM.2019.33.0.69092Keywords:
Rhythmus, High Middle Age, Manuscripts, Melody, Digital EditionAbstract
The Corpus Rhythmorm Musicum (CRM) is a project created by Francesco Stella; here there are the critic editions of rhytmhi – Medieval Latin poems based on syllables and stretches – written from iv to ix century and provided at least with one melody transmitted by the manuscript tradition. After the first volume and CD-ROM publication (Florence, SISMEL, 2007), containing songs from non-liturgical sources, Luigi Tessarolo has reprogrammed the database for the web on 2011. In the database, freely accessible online (<http://www.corimu.unisi.it/>), for every rhythmus, in addition to the digital edition of poems and music (edited by S. Barrett), you can view all the collated manuscripts and their descriptions; the transcriptions of poems and melodies (together with the alphanumeric ones and the musical performances directed by G. Baroffio, who also found the modern transcriptions); the introductions with historical, literary and ecdotic profiles, the tabs Versi and Lingua. From these originate the linguistic tables edited by C. Cenni, F. Sivo, P. Stoppac- ci, the lexical statistics, a repertoire of rhythmic forms edited by E. D’Angelo and C. Pérez González and a search menu that allows you to ask complex questions to the database. Here we present the analysis possibilities offered by the CRM and we investigate the role played by the melodic element in the formation of these compo- sitions. Finally, we indicate some studies arisen thanks to the database, as well as the ongoing projects: the edition of the rhythmi computistici – on calendar, astronomy and method for calculating Easter – and the rhythmic hymns.
Downloads
Métricas alternativas
Downloads
Additional Files
Published
How to Cite
Issue
Section
License
The opinions and facts stated in each article are the exclusive responsability of the authors. The University of Alcalá is not responsible in any case for the credibility and aunthenticity of the studies.
Authors will retain the rights on their work, even if they will be granting the journal a non-exclusive right of use to reproduce, edit, distribute, publicly communicate and show their work. Therefore, authors are free to enter into additional, independent contracts for non-exclusive distribution of the works published in this journal (such as uploading them to an institutional repository or publishing them in a book), as long as the fact that the manuscripts were first published in this journal is acknowledged.
Works are published under the terms stipulated in the Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0) that allows third parties to share the work under the following conditions:
Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.
NonCommercial — You may not use the material for commercial purposes.
ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original.




