«Arte románico y epigrafía romance. Las primeras imágenes de la lengua vulgar en Italia, Francia y España»
DOI:
https://doi.org/10.37536/RPM.2013.27.0.52977Abstract
Resumen: En este ensayo se analizan las primeras inscripciones en lengua vulgar de lla Europa románica. Se trata de un pequeño corpus de trece inscripciones o unidades epigráficas de los siglos xi y xii, once de las cuales fueron concebidas y realizadas en estrecha articulación con motivos o programas iconográficos. El autor trata de dilucidar la imagen (voluntaria o involuntaria) de la lengua romance que hay detrás de cada una de ellas, llegando a distinguir hasta tres niveles de uso de la lengua por parte de la Iglesia, a los que califica respectivamente de «neutro o utilitario», «expresivo sin función pastoral» y «expresivo con función pastoral». En conjunto, el debut epigráfico de las lenguas romances fue muy limitado, pero también muy creativo y experimental, en consonancia con el propio arte románico en cuyo marco se produjo.
Palabras clave: Epigrafía vulgar. Lenguas romances. Arte románico.
Abstract:
This essay explores the first vernacular inscriptions in Romance Europe. These are a small corpus of thirteen inscriptions or epigraphic units from the Eleventh and Twelfth Centuries, of which eleven were designed and carried out in close connection with iconographic programs or motifs. The author tries to elucidate the conscious or unconscious image of the vernacular language that there is behind each of them, and he comes to distinguish three different levels of using the vernacular by the Church, which are respectively defined as «neutral or utilitarian», «expressive without pastoral function», and «expressive with pastoral function». On the whole, the epigraphic debut of the vernacular languages proved to be very limited, but it was also really creative and experimental, in line with the artistic framework in which it was produced, Romanesque art.
Keywords: Vernacular epigraphy. Vernacular languages. Romanesque art.Downloads
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