El auge del gusto conservador convencional: clase, consumo y política en Turquía

Aksu Akçaoğlu; Irmak Karademir Hazir

doi:10.22325/fes/res.2020.66

Autores/as

Aksu Akçaoğlu Çanakkale Onsekiz Mart Üniversitesi http://orcid.org/0000-0002-8692-4698
Irmak Karademir Hazir Oxford Brookes University http://orcid.org/0000-0003-1568-4612

DOI:

https://doi.org/10.22325/fes/res.2020.66

Palabras clave:

Gusto, consumo, islamismo, conservadurismo, moda

Resumen

En este artículo, nuestro objetivo es utilizar los conceptos de Bourdieu para comprender la emergencia de un gusto conservador / islámico en el contexto de las recientes transformaciones políticas de Turquía. Para hacerlo, primero nos centraremos en las raíces históricas del fenómeno, la fuerte conexión entre la política y el consumo en Turquía, con el fin de abordar los impactos de la reciente transformación del conservadurismo político en el gusto conservador. En segundo lugar, describimos la forma actual del gusto conservador convencional como la elección de un estilo elegante y religioso, a través del análisis de contenido de tres revistas de moda conservadoras. Por último, recurriendo a una investigación de campo realizada en Ankara, presentamos ejemplos concretos de cómo se incorpora el gusto conservador y se utiliza para realizar la distinción de clase dentro y más allá de las fracciones conservadoras de la sociedad.

Biografía del autor/a

Aksu Akçaoğlu , Çanakkale Onsekiz Mart Üniversitesi

trabaja actualmente en el Departamento de Sociología de Çanakkale 18 Mart University. Investiga en Teoría Sociológica, Sociología Política y Sociología Urbana. Su más reciente publicación tiene como título: ‘Practice and symbolic power in Bourdieu: The view from Berkeley.’ Este artículo se encuentra publicado en el Journal of Classical Sociology, (https://doi.org/10.1177/1468795X16682145).

Irmak Karademir Hazir , Oxford Brookes University

es profesora de sociología del Departamento de Ciencias Sociales de Oxford Brookes University. Antes de unirse a Oxford Brookes, dio clases en la Universidad de Manchester y en la Middle East Technical University en Ankara, Turquía. Entre sus últimas publicaciones destaca el libro Exit Arts, Enter Culture? (2019), co-escrito con Semi Purhonen et al y publicado por Routledge.

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