Beret/hat: A social and symbolic dichotomy in 20th century Spain
DOI:
https://doi.org/10.18042/hp.43.08Keywords:
Symbolism, social change, genre, class struggle, fashion.Abstract
This article explores the symbolic dimension of the beret and the hat in the social history of twentieth-century Spain. The use of a wide range of iconographic and hemerographic material—pictures, newspaper sketches, advertisement posters, films and journalistic chronicles—enables us to reconstruct the allegorical class struggle waged by the beret and the hat as common head coverings of the popular and middle/upper classes respectively, at least until the mid-century, when their popularity began to decline. The article also addresses two variables of great importance in the development of this clothing dichotomy: generational and genre factors, which became crucial in the adoption of transgressive attitudes identified with the hatless movement in the 1930s. Although the connecting thread of the article is the relationship of power and submission that revolves around the beret and the hat, it also considers some significant cases in which the choice of one head covering or the other responded to an «elective» principle on the part of its wearer, and not to the socially selective function usually linked to the use of these garments.Downloads
References
Amphlett, H. (2003) [1974]. Hats. A History of Fashion in Headwear. Mineola, New York: Dover Publications.
Balzac, H. de (2014). Traité de la vie élégante. París: Maxtor.
Bard, Chistine (2012). Historia política del pantalón. Barcelona: Tusquets.
Baroja, P. (1919). Momentum catastrophicum. Madrid: Rafael Caro Reggio.
Barthes, R. (1970). Elementos de semiología. Madrid: Alberto Corazón.
Batterberry, M., y Batterberry, A. (1977). Mirror, Mirror: A Social History of Fashion. Nueva York: Holt Rinehart & Winston.
Burger-Roussennac, A., y Pastorello, T. (2015). Se vêtir de/en politique. Quelques usages politiques du vêtement, Cahiers d’Histoire, 129, dossier Un usage politique du vêtement (XVIIIe-XXe siècles). 11-17.
Cotilla Vaca, M. (2002). Evolución y ocaso de una moda también morfológica y léxica: el sinsombrerismo, Res Diachronicae, 1, 124-132.
Darío, R. (1907). España Contemporánea. París: Garnier Hermanos.
De Baecque, A. (1997). Body Politics. Corporeal Metaphor in Revolutionary France, 1770-1800. Stanford, California: Stanford University Press.
De Cuenca, L. A. (2017). El valor y los sueños. Poemas escogidos. Madrid: Verbum.
De Sousa y Congosto, F. (2007). Introducción a la historia de la indumentaria en España. Madrid: Istmo.
Escobar, J. (1983). El sombrero y la mantilla: moda e ideología en el costumbrismo romántico español. En J. R. Aymes et al. Revisión de Larra: ¿Protesta o revolución? (161-165). París: Les Belles Lettres.
Featherstone, M.; Hepworth, M., y Turner, B. S., eds. (1991). The Body. Social Process and Cultural Theory. London-New Delhi: SAGE Publications.
Fuentes, J. F. (1996). Moda y lenguaje en la crisis social del Antiguo Régimen. En J. R. Aymes, ed.: L'image de la France en Espagne pendant la seconde moitié du XVIIIe siècle (85-95). Alicante: Instituto Juan Gil-Albert de Cultura.
Gil Novales, A. (1975). Las sociedades patrióticas (1820-1823). Madrid: Ed. Tecnos.
Juliá, S. (1984). Madrid, de la fiesta popular a la lucha de clases. Madrid: Siglo XXI Eds.
Keszeg, A. (2017). Pour une histoire sociale de la mode hongroise. Études finno-ougriennes [en línea], 48, consultado el 4 de abril de 2018. URL : http://journals.openedition.org/efo/7403 ; DOI : 10.4000/efo.7403.
La Eva Moderna. Ilustración Gráfica Española, 1914-1935 (1997). Madrid: Fundación Cultural Mapfre.
Lipovetsky, G. (1987). L’empire de l’éphémère. La mode et son destin dans les sociétés modernes. París: Gallimard.
Maura, M. (2007). Así cayó Alfonso XIII. Madrid: Marcial Pons.
McDowell, C. (1992). Hats: Status, Style, and Glamour. New York: Rizzoli.
Mesonero Romanos, R. (1845). Escenas matritenses. Madrid: Imprenta y Librería de D. Ignacio Boix.
Morales Muñoz, M. (2002). Cultura e ideología en el anarquismo español (1870 – 1910). Málaga: Centro de Publicaciones de la Diputación de Málaga.
Olivé y Serret, E. (1978). La pedagogía obrerista de la imagen. Barcelona-Palma de Mallorca: José J. de Olañeta, editor.
Olivier, J. M. (2005). Chapeaux, casquettes et bérets: quand les industries dispersées du Sud coiffaient le monde. Annales du Midi, 117 (251), 407-426.
Pelka, A. (2014). Mujer e ideología en la posguerra española: feminidad, cuerpo y vestido. Historia Social, 79, 23-42.
Pérez Galdós, B. (1887). Fortunata y Jacinta. Dos historias de casadas. Madrid: Imprenta de la Guirnalda.
Pérez Galdós, B. (1989). Miau. Madrid: Alianza Editorial.
Prieto, I. (1975). De mi vida. Recuerdos, estampas, siluetas, sombras. México: Ediciones Oasis.
Schubert, A. (2018). Espartero, el Pacificador. Madrid: Galaxia Gutenberg.
Simmel, G. (1957) [1904]. Fashion. The American Journal of Sociology. LXII (6), 541-558.
Sorba, C., coord. (2017). The Clothing of Politics (XIXth-XXth [sic] Centuries). Contemporanea. Rivista di storia dell'800 e del '900, 20 (4).
Vidarte, J. S. (1976). Las Cortes Constituyentes de 1931-1933. México: Ed. Grijalbo.
Zozaya, M. (2015). Identidades en juego. Formas de representación social del poder de la elite en un espacio de sociabilidad masculino, 1836-1936. Madrid: Siglo XXI Eds.
Published
Issue
Section
License
Copyright (c) 2020 Juan Francisco Fuentes, Isabel Martín Sánchez
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors whose contributions are accepted for publication in this journal, accept the following terms:
a. The authors retain their copyright and guarantee to the magazine the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution License Attribution-Noncommercial-No derivative works 4.0 Spain, which allows third parties to share the work as long as its author and its first publication is indicated.
b. Authors may adopt other non-exclusive license agreements to distribute the version of the published work (e.g. deposit in an institutional repository or archive, or published in a monographic volume) provided the initial publication in this journal is indicated.
PLAGIARISM AND SCIENTIFIC FRAUD
The publication of work that infringes on intellectual property rights is the sole responsibility of the authors, including any conflicts that may occur regarding infringement of copyright. This includes, most importantly, conflicts related to the commission of plagiarism and/or scientific fraud.
Plagiarism is understood to include:
1. Presenting the work of others as your own.
2. Adopting words or ideas from other authors without due recognition.
3. Not using quotation marks or another distinctive format to distinguish literal quotations.
4. Giving incorrect information about the true source of a citation.
5. The paraphrasing of a source without mentioning the source.
6. Excessive paraphrasing, even if the source is mentioned.
Practices constituting scientific fraud are as follows:
1. Fabrication, falsification or omission of data and plagiarism.
2. Duplicate publication.
3. Conflicts of authorship.