Browsing playwriting about the Crimean War: a dress rehearsal for the African War?
Keywords:
Patriotic theater, Crimean war, African warAbstract
In 1854-55, France belonged to a coalition fighting the tsarist Russia in Crimea and actively participated in the conflict which ended with the victory of the allies and the fall of Sevastopol. Even if Spain did not really entered the conflict, a few members of its armed forces went there, either because they had asked for (and got) a leave or because they had been designated to be part of an observation commission financed by the government, as happened for example to General Prim. In this context, the Crimean war apparently worked as a sort of experiment for the different strategies, in politics as well as in texts, that the different participants in the Spanish-Moroccan war used five years later. Among them, General Prim who did his best to be in the limelight in the African war and get a very personal benefit from his command. The numerous links that can be found between both wars are echoed in the patriotic theatre aimed at glorifying them, making the Crimean and the African wars much closer conflicts and scenes than could have been thought first.Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2016 Marie Salgues
![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors whose contributions are accepted for publication in this journal, accept the following terms:
a. The authors retain their copyright and guarantee to the magazine the right of first publication of their work, which will be simultaneously subject to the Creative Commons Attribution License Attribution-Noncommercial-No derivative works 4.0 Spain, which allows third parties to share the work as long as its author and its first publication is indicated.
b. Authors may adopt other non-exclusive license agreements to distribute the version of the published work (e.g. deposit in an institutional repository or archive, or published in a monographic volume) provided the initial publication in this journal is indicated.
PLAGIARISM AND SCIENTIFIC FRAUD
The publication of work that infringes on intellectual property rights is the sole responsibility of the authors, including any conflicts that may occur regarding infringement of copyright. This includes, most importantly, conflicts related to the commission of plagiarism and/or scientific fraud.
Plagiarism is understood to include:
1. Presenting the work of others as your own.
2. Adopting words or ideas from other authors without due recognition.
3. Not using quotation marks or another distinctive format to distinguish literal quotations.
4. Giving incorrect information about the true source of a citation.
5. The paraphrasing of a source without mentioning the source.
6. Excessive paraphrasing, even if the source is mentioned.
Practices constituting scientific fraud are as follows:
1. Fabrication, falsification or omission of data and plagiarism.
2. Duplicate publication.
3. Conflicts of authorship.