The “Production” of “Reflection”: Adolescent Choices in John McGahern’s The Dark

Authors

  • Martin Keaveney National University of Ireland

DOI:

https://doi.org/10.24162/EI2020-9351

Keywords:

Adolescent, John McGahern, Production, Reflection, The Dark

Abstract

Production, defined here as the application of one’s energies to the production of a good or service and Reflection, meaning the pursuit of a purely contemplative life, with the benefit of sharing the fruits of this reflection with others, are projected in this study to Chapters 4 to 7 of John McGahern’s novel The Dark (1965). By overlaying these terms in an Aristotelian sense to McGahern’s work, the dysfunctionalised adolescent’s guideless struggle between Production and Reflection is manifested, but the resultant diminishment of the positive section of self is also depicted, translated as destruction of self-esteem and privileging of negative self-worth via the chapters’ portrayal of corruption of body, mind and spirit.

Author Biography

Martin Keaveney, National University of Ireland

Martin Keaveney’s scholarship was recently published in the peer-reviewed  New Hibernia Review and Journal of Franco-Irish Studies.  His debut collection of stories, The Rainy Day, was published  by Penniless Press in 2018. Short fiction has been published in many literary journals in Ireland, UK and US. He has also written for the screen and his writing has been produced and exhibited at many international film festivals and on broadcast television.  He has a B.A. in English and Italian, an M.A in English (Writing) and a Ph.D. from NUIG (Creative Writing and Textual Studies).   He was awarded the Sparanacht Ui Eithir for his research in 2016 and the NUIG Write-Up Bursary in 2018. See more at www.martinkeaveney.com

References

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Published

2020-03-17

How to Cite

Martin Keaveney. (2020). The “Production” of “Reflection”: Adolescent Choices in John McGahern’s The Dark. Estudios Irlandeses, 15(1), 62–72. https://doi.org/10.24162/EI2020-9351