“Portales de descubrimiento”: Alusiones históricas en Portrait, de James Joyce.

Autores/as

  • María-Ángeles Conde-Parrilla Universidad Pablo de Olavide

DOI:

https://doi.org/10.24162/EI2020-9296

Palabras clave:

James Joyce, Retrato del artista adolescente, alusiones históricas, Irlanda, ideologías, proceso creativo

Resumen

El contexto irlandés es determinante a la hora de entender la composición de A Portrait of the Artist as a Young Man y el uso de las alusiones históricas por parte de Joyce es un recurso literario esencial si se quiere recontextualizar la novela en su dinámica cultural original. Las alusiones históricas son variadas y escapan a simple vista, funcionando como signos textuales que introducen múltiples capas de significado contextual, desvelando las contradicciones de los personajes principales y la forma en la que actúan las ideologías coercitivas. Las alusiones joyceanas actúan por tanto como complejos signos metonímicos; se convierten en auténticos “portales” de descubrimiento de un retrato no tan aparente, el de Irlanda como colonia británica.

Biografía del autor/a

María-Ángeles Conde-Parrilla, Universidad Pablo de Olavide

María-Ángeles Conde-Parrilla is a senior lecturer of English and Literary Translation at the Universidad Pablo de Olavide in Spain. Her main research interests are in postcolonial translation studies, creative and cultural aspects in literary translation, and linguistic variation. She has published several articles and reviews on Joyce and literary translation in a number of books (Estudios en torno a la traducción del QuijoteRimbaud’s Rainbow) and journals (Language and LiteratureJames Joyce Quarterly).

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Publicado

17-03-2020

Cómo citar

María-Ángeles Conde-Parrilla. (2020). “Portales de descubrimiento”: Alusiones históricas en Portrait, de James Joyce. Estudios Irlandeses, 15(1), 13–25. https://doi.org/10.24162/EI2020-9296