Representing creation, experiencing the sublime: The Longinian tradition in Tasso and Milton
Palavras-chave:
Torquato Tasso, John Milton, creation, the sublime, epic theoryResumo
The fiat lux quotation in Peri Hypsous is of undeniable interest since Longinus merges the idea of the poet-Creator with the sublime. This paper aims to demonstrate how Tasso and Milton were very self-conscious of the Longinian tradition and in their fashioning a poetry of the sublime when rewriting the story of creation. The author of Il Mondo Creato incorporates the Longinian model of sublime ekstasis into his concept of meraviglia. Despite Milton’s indebtedness to Tasso, in Paradise Lost the English poet distances himself from a full commitment into Longinian ekstasis and locates the sublime into a more dialogical, if not dialectical, compositional model of poetic creation.
Downloads
Publicado
Edição
Secção
Licença
The copyright holder of the published contributions is SEDERI.The hardcopy and an open-access version of the journal will be published simultaneously. The issues will be available online in the SEDERI website (http://www.sederi.org/yearbook/) and other repositories that have signed an agreement with SEDERI.
The authors who publish with this journal agree to the following terms:
a) SEDERI retains copyright of the essay.
b) If the author wishes to republish or rewrite the essay for another journal, or include the essay published in SEDERI in their personal repositories, or in any other way, they should contact the editors to obtain permission to do so. This will entail citing SEDERI as the original source and sending the editors a copy of the new version, or the link to the website, in case of online publishing.
The author(s) hereby warrant(s) that:
a) The essay submitted for publication is an original creation and does not infringe any copyright or property right of another journal, author or publisher.
b) The essay submitted for publication has not been previously published, whole or in part, and is not being considered for publication elsewhere.
c) Written permission has been obtained for any material from other sources included in the essay submitted for publication.
