The story of what might have been: Interrogating Romeo and Juliet under the Portuguese dictatorship
Keywords:
Romeo and Juliet, Teatro Estúdio de Lisboa, gender, class, popular theatre, Portuguese dictatorshipAbstract
Abstract
In 1969, Teatro Estúdio de Lisboa performed Anatomy of a Love Story, their adaptation of Shakespeare’s Romeo and Juliet, for a generation politicized by their struggles against the dictatorship. This article delineates a narrative of what might have been if this incipient attempt to stage a more inclusive political theatre had prevailed, illustrating how attributions of success and failure to performances during this period need to be contextualized within the limitations imposed by censorship on the one hand and the hierarchy of a class-based popular theatre over questions of gender and sexuality on the other.
Downloads
Downloads
Published
Issue
Section
License
The copyright holder of the published contributions is SEDERI.The hardcopy and an open-access version of the journal will be published simultaneously. The issues will be available online in the SEDERI website (http://www.sederi.org/yearbook/) and other repositories that have signed an agreement with SEDERI.
The authors who publish with this journal agree to the following terms:
a) SEDERI retains copyright of the essay.
b) If the author wishes to republish or rewrite the essay for another journal, or include the essay published in SEDERI in their personal repositories, or in any other way, they should contact the editors to obtain permission to do so. This will entail citing SEDERI as the original source and sending the editors a copy of the new version, or the link to the website, in case of online publishing.
The author(s) hereby warrant(s) that:
a) The essay submitted for publication is an original creation and does not infringe any copyright or property right of another journal, author or publisher.
b) The essay submitted for publication has not been previously published, whole or in part, and is not being considered for publication elsewhere.
c) Written permission has been obtained for any material from other sources included in the essay submitted for publication.
