Vol. 29 (2019)

View Vol. 29 (2019)

Published: 2019-11-19

Articles

Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation

Manel Bellmunt-Serrano

11-33
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The blurring of genus, genre, and gender in Margaret Cavendish’s utopias

Delilah Bermudez Brataas

35-59
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The limner’s art in Shakespeare’s Macbeth

Sophie Chiari

61-83
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Ovid’s urban metamorphosis

Clark Hulse

85-108
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Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare's stage

Elizabeth Mazzola

109-33
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Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad

Inmaculada N. Sánchez-García

135-60
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Notes

William Forrest: Poetry, politics, script and power

A. S. G. Edwards

163-80
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Reviews

Patrick Cheney, English Authorship and the Early Modern Sublime

Jonathan P. A. Sell

183-88
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Paul Edmondson and Ewan Fernie, eds. New Places: Shakespeare and Civic Creativity

Francesca Rayner

189-93
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Keir Elam, Shakespeare’s Pictures: Visual Objects in the Dramas, and B. J. Sokol, Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems

Jonathan P. A. Sell

194-98
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Carme Font, Women’s Prophetic Writings in Seventeenth-Century Britain

Beatriz Hernández Pérez

199-204
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Sebastián Fox Morcillo, De honore. Estudio y traducción

Jesús López-Peláez Casellas

205-10
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José Manuel González, ed., José María Ferri and María del Carmen Irles Vicente, coord. Cervantes-Shakespeare 1616-2016: Contexto, influencia, relación = Context, Influence, Relation

Mercedes Salvador-Bello

211-15
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Ángel-Luis Pujante and Keith Gregor, eds. Romeo y Julieta en España: Las versiones neoclásicas

Jesús Tronch

216-20
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Poonam Trivedi and Paromita Chakravarti, eds. Shakespeare and Indian Cinemas: Local Habitations

Rosa García-Periago

221-26
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Sónia Baptista, I Call Her Will

Francesca Rayner

227-229
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