Emergencias poéticas: sentidos de finalización en "Incantata" de Paul Muldoon
DOI:
https://doi.org/10.24162/EI2021-9978Palabras clave:
Paul Muldoon, “Incantata”, Giorgio Agamben, forma poética, elegíaResumen
Las conferencias de Paul Muldoon como catedrático de poesía en Oxford demuestran un interés permanente en cómo se podría decir que los poemas “terminan”. En varias ocasiones, vuelve al ensayo corto de Giorgio Agamben “El fin del poema” y su argumento de que la conclusión de un poema es una especie de “emergencia”, una fuente de ansiedad para el poema en su conjunto. Este artículo propone que el compromiso de Muldoon con Agamben y las ideas del final responde a su propia obra poética, y especialmente a las elegías de su colección de 1994 “Los Anales de Chile”. Se ofrece “Incantata” como un ejemplo del pensamiento de Muldoon sobre los finales poéticos, ubicándolo dentro del contexto de la elegía moderna para mostrar cómo la conciencia de un poema de su propio cierre puede moldear sus enfoques sobre el tema, la forma y la temporalidad.
Citas
Agamben, Georgio. The End of the Poem: Studies in Poetics. Trans. Daniel Heller-Rosen. Stanford: Stanford University Press, 1999.
Alonso, Alex. “Paul Muldoon and the Stunt-Reader”. Essays in Criticism 69.2 (2019): 224-39.
Auden, W.H. Collected Shorter Poems 1927-1957. London: Faber and Faber, 1969.
Beckett, Samuel. The Complete Dramatic Works. London: Faber and Faber, 2006.
Brennan, Marjorie. “Poet Paul Muldoon’s intimate work, ‘Incantata’, is being re-imagined for the theatre at Galway Arts Festival.” Irish Examiner (18th July, 2018). 16 Aug 2020. https://www.irishexaminer.com/lifestyle/arid-30855901.html.
“cantata, n.” OED Online, Oxford University Press, August 2020. 30 Aug 2020. www.oed.com/view/Entry/27223..
Duhig, Ian. “Annals Mirabilis”. Review of Paul Muldoon’s The Annals of Chile. Fortnight 331 (September 1994): 47-8.
“end, n.” OED Online, Oxford University Press, August 2020. 15 Aug 2020. www.oed.com/view/Entry/61863.
“end, v.1.” OED Online, Oxford University Press, August 2020. 15 Aug 2020. www.oed.com/view/Entry/61864.
Frost, Robert. Selected Letters of Robert Frost. New York: Holt, Rinehart, and Winston, 1964.
Heaney, Seamus. North. London: Faber and Faber, 1975.
______. The Haw Lantern. London: Faber and Faber, 1987.
“incant, v.” OED Online, Oxford University Press, August 2020. 25 Aug 2020. www.oed.com/view/Entry/93296.
Ingersoll, Earl G., and Stan Savel. “The Invention of the I: A Conversation with Paul Muldoon.” Michigan Quarterly Review 37.1 (1998). 5 Aug 2020. https://quod.lib.umich.edu/cgi/t/text/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0037.106;g=mqrg;rgn=main;view=text;xc=1.
Kristeva, Julia. The Kristeva Reader. Ed. Toril Moi. New York: Columbia University Press, 1986.
Longley, Michael. Collected Poems. London: Jonathan Cape, 2006.
Masefield, John. Sea-fever: Selected Poems. Manchester: Carcarnet, 2005.
McBride, Charlie. “I am fascinated as to how ‘Incantata’ is going to turn out”. Galway Advertiser (June 21st, 2018). 16 Aug 2020. https://www.advertiser.ie/galway/article/101394/i-am-fascinated-as-to-how-incantata-is-going-to-turn-out.
McDonald, Peter. Mistaken Identities: Poetry and Northern Ireland. Oxford: Clarendon Press, 1997.
Milton, John. Milton’s Selected Poetry and Prose. Ed. Jason P. Roseblatt. New York: W.W. Norton and Co, 2011.
Moi, Ruben. “‘I, Too, Have Trailed My Father’s Spirit’: Alternative Memories in the Poetry of Paul Muldoon.” Nordic Irish Studies 6 (2007): 119-126.
_______. Paul Muldoon and the Language of Poetry. Leiden: Brill, 2020.
Muldoon, Paul. “Getting Round: Notes Towards an Ars Poetica”. Essays in Criticism 48 (1998): 107-128.
_______. Moy Sand and Gravel. London: Faber and Faber, 1998.
_______. Poems 1968-1998. London: Faber and Faber, 2001.
_______. The End of the Poem: Oxford Lectures on Poetry. London: Faber and Faber, 2006.
“poetry, n.” OED Online, Oxford University Press, August 2020. 20 Aug 2020. www.oed.com/view/Entry/146552.
Pope, Alexander. Selected Poetry. Oxford: Oxford University Press, 1996.
Potts, Robert. “The Poet at Play”. Guardian (12 May 2001). 2 Aug 2020. https://www.theguardian.com/books/2001/may/12/poetry.artsandhumanities.
Ramazani, Jahan. Poetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: University of Chicago Press, 1994.
Redmond, John, and Paul Muldoon. ‘Interview with Paul Muldoon’. Thumbscrew 4 (1996). 19 Jul 2020. http://poetrymagazines.org.uk/magazine/record2c4f-4.html?id=12522.
Regan, Stephen. “Irish Elegy After Yeats”. The Oxford Handbook of Modern Irish Poetry. Oxford: Oxford University Press, 2012: 588-606.
“stanza, n.” OED Online, Oxford University Press, August 2020. 16 Aug 2020. www.oed.com/view/Entry/189041.
Twiddy, Iain. ‘Cancer and the Ethics of Representation in Paul Muldoon’s Horse Latitudes.’ New Hibernia Review 16.4 (2012): 18-36.
“verse, n.” OED Online, Oxford University Press, August 2020. 30 Aug 2020. www.oed.com/view/Entry/222685.
Wills, Clare. Reading Paul Muldoon. Newcastle: Bloodaxe, 1998.
Wilson, James S.F. “Paul Muldoon, The Art of Poetry No. 89”. The Paris Review 169 (2004). 10 Aug 2020. https://www.theparisreview.org/interviews/30/paulmuldoon-the-art-of-poetry-no-87-paul-muldoon.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Derechos de autor 2021 James Costello O’Reilly
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
