Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952

Martin G. Molony

doi:10.24162/EI2023-11392

Autores/as

Martin G. Molony Dublin City University https://orcid.org/0000-0003-4217-3957

DOI:

https://doi.org/10.24162/EI2023-11392

Palabras clave:

Teatro de marionetas, teatro experimental, Guiñol moderno, Dublin Marionette Group

Resumen

En 1942, un joven arquitecto de Dublín, Nelson Paine, formó el Dublin Marionette Group a raíz de una revalorización internacional del potencial que ofrecía el teatro de marionetas como forma de expresión. Este grupo se convirtió en el núcleo del teatro experimental en la capital irlandesa e influyó a varios artistas creativos irlandeses conocidos durante la década de su existencia y posteriormente. Atrajo la participación de actores, artistas y dramaturgos de la época y se presentó en entornos profesionales, incluidas ocho temporadas en el Teatro Peacock y durante los cuatro primeros años del Festival de Ópera de Wexford. Este artículo examina el contexto de la formación del Grupo, su enfoque experimental olvidado hace mucho tiempo y su considerable contribución al desarrollo de las artes en Irlanda.

Biografía del autor/a

Martin G. Molony, Dublin City University

Martin G. Molony is a lecturer at Dublin City University, from which he has a BA degree in Communication Studies and an MA in Journalism. Based at the School of Communications, he is Programme Director of DCU’s MSc in Public Relations & Strategic Communications. A genealogist, puppeteer and former journalist, his teaching has included modules in interpersonal communications, public relations, political communication and puppetry. His research interest is in Irish social history, with a focus on the history of the puppet theatre in Ireland, on which he is currently completing his PhD.

Citas

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Nelson Paine, el teatro experimental y el guiñol en Irlanda, 1942–1952

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