Reclaiming the Silenced History of LGBTIQA+ Activism and the HIV/AIDS Crisis through Irish Theatre. An Interview with Phillip McMahon

Authors

DOI:

https://doi.org/10.24162/EI2024-12603

Keywords:

Activism, HIV-AIDS, Irish theatre, LGBTIQA , Phillip McMahon

Abstract

The playwright and theatre director Phillip McMahon is also co-founder and co-director of THISISPOPBABY, a Dublin arts company founded in 2007 and said to have redefined modern Irish theatre, ripping up the space between popular culture, counterculture and high art. Their shows have played and toured around Ireland, the United Kingdom, Australia, and beyond. THISISPOPBABY voices queer culture on stage making space for the history and stories of the LGBTIQA+ Irish community positioning itself between performance and politics. The first play written by McMahon purely with LGBTIQA+ characters is Once Before I Go (2021), in which he explores and examines the legacy of the AIDS crisis in Irish queer lives. McMahon does not only voice the community’s historic pain, shame, and stigma, but he also foregrounds the fact that, despite marriage equality, the LGBTIQA+ rights movement has not come to an end. In fact, he claims that, after the COVID-19 pandemic, a wider society is ready to hear stories that have been long buried, forgotten, and suppressed.

Author Biography

Javier Torres-Fernández

Javier Torres-Fernández, BA and MA in English Studies, is currently registered for a PhD and working at the University of Almería (Spain) as a predoctoral researcher funded by the Spanish Ministry of Universities (FPU21/01232) in the Department of Philology within the Women, Literature and Society (HUM-874) research group and the Communication and Society Research Centre (CySOC). His fields of interest include Women, Gender and Sexuality Studies, Popular Culture, Irish Literature and American Literature. His thesis examines the literary production that emerged from the HIV/AIDS crisis both in Ireland and the United States in a comparative study of the genre tackling stigma, shame, sexuality, identity, trauma and cultural politics.

References

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Carregal-Romero, José (2021). Queer Whispers: Gay and Lesbian Voices of Irish Fiction. Dublin: University College Dublin Press.

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______ (2020). “HIV and AIDS in Irish Theatre: Queer Masculinities, Punishment, and ‘Post-AIDS’ Culture.” Journal of Medical Humanities 41: 123-136. https://doi.org/10.1007/s10912-017-9439-3

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Walsh, Fintan (2016). Queer Performance and Contemporary Ireland: Dissent and Disorientation. New York: Palgrave Macmillan.

Published

2024-03-17

How to Cite

Torres-Fernández, J. (2024). Reclaiming the Silenced History of LGBTIQA+ Activism and the HIV/AIDS Crisis through Irish Theatre. An Interview with Phillip McMahon. Estudios Irlandeses, 19(1), 207–216. https://doi.org/10.24162/EI2024-12603