Of Fanciful Noses and Other Jokes of the Kind: The Structure of the Strange Loop and the Defence of Curved Lines in Tristram Shandy’s "nose episode"
DOI:
https://doi.org/10.24162/EI2024-12486Keywords:
Augustan Literature, Hogarthian Aesthetics, Laurence Sterne, Metalepsis, Strange loopAbstract
“The Tale of Slawkenbergius”, also known as the “Episode of the Nose”, is one of the most recognised and quoted passages from Tristram Shandy (Sterne 1759-1767). This short story from the fourth volume of Sterne’s novel has received a great deal of attention in the specialised bibliography. However, the studies so far published analyse the story as an isolated episode and concentrate mainly on the use of irony, double entendre and puns as a means of alluding to sexual issues (Gallagher 2018; Walsh 2009). The aim of this paper is to study “The Tale of Slawkenbergius” no longer as a humorous representation of the grotesque, but as a metaliterary manifestation of Sterne’s poetics, thus relating the tale to the structure of the novel. The way in which Sterne uses the device of the “strange loop” in this passage to express his subscription to Hogarth’s aesthetics and to Hogarth’s ideas about the “lines of beauty and grace” will be determined. It will also relate the apology for the beauty of a colossal-nosed, disproportionate hero that is established in this episode to the defence of “deformed” art forms, removed from neoclassical aesthetics, that Tristram establishes throughout his narrative.
References
Alonso Veloso, María José (2016). “Quevedo, antídoto contra los Whigs y los Tories en la Inglaterra del siglo XVIII.” Signa: Revista de la Asociación Española de Semiótica 25: 339-72.
Booth, Wayne (1975). A Rhetoric of Irony. Chicago: Chicago University Press.
Dickie, Simon (2011). Cruelty and Laughter: Forgotten Comic Literature and the Unsentimental Eighteenth Century. Chicago: University of Chicago Press.
Fanning, Christopher (2003). “Small Particles of Eloquence: Sterne and the Scriblerian Text.” Modern Philology 100 (3): 360-92. https://doi.org/10.1086/376656.
Gallagher, Noelle (2018). “A Chapter of Noses.” Itch, Clap, Pox: Venereal Disease in the Eighteenth-Century Imagination. Londres: Yale University Press: 159-213.
Grabe, Nina, Sabine Lang y Klaus Meyer-Minnemann, eds. (2006). La narración paradójica. “Normas narrativas” y el principio de la “transgresión.” Madrid: Editorial Iberoamericana.
Harries, Elizabeth (1982). “Sterne’s Novels: Gathering Up the Fragments.” ELH 49 (1): 35-49. https://doi.org/10.2307/2872880.
Haslett, Moira (2003). Pope to Burney, 1714-1779: Scriblerians to Bluestockings. Hampshire: Palgrave Macmillan.
Hofstadter Douglas (2007). I am a Strange Loop. Nueva York: Basic Books.
Hogarth, William (1909 [1753]). The Analysis of Beauty. Massachusetts: Harvard University Press.
Holtz, William (1966). “Sterne, Reynolds, and Hogarth: Biographical Inferences from a Borrowing.” The Art Bulletin 48 (1): 82-84. https://doi.org/10.1080/00043079.1966.10790213.
Iser, Wolfgang (2008). Landmarks of World Literature: Laurence Sterne, Tristram Shandy, Cambridge: Cambridge University Press.
Loss, Archie (1972). “Review: Tristram Shandy a la Mode.” The Journal of General Education 23 (4): 315-21.
Lamb, Jonathan (1981). “The Comic Sublime and Sterne’s Fiction.” ELH 48 (1): 110-43. https://doi.org/10.2307/2873014
MacKenzie, Scott (2019). “My Chapter upon Lines: Motion, Deviation, and Lineation in Eighteenth-Century British Aesthetics.” Criticism 61 (1): 1-26. https://doi.org/10.13110/criticism.61.1.0001.
Martinez, Matías y Michael Scheffel (2011). Introducción a la narratología: Hacia un modelo analítico descriptivo de la narración ficcional. Buenos Aires: Las cuarenta.
Miller, J. Hillis (2002). “Narrative Middles: a preliminary Outline.” Laurence Sterne, editado por M. Walsh. Londres: Longsman. 165-77.
Patterson, Diana (1991). “Tristram’s Marblings and Marblers.” The Shandean 3: 70- 97.
Schlickers, Sabine y Vera Toro (2017). La narración perturbadora: un nuevo concepto narratológico transmedial. Madrid: Iberoamericana.
Sterne, Laurence (1983 [ 1759-1767]). The Life and Opinions of Tristram Shandy, Gent. Edited with and Introduction and Notes by Ian Cambell Ross. Oxford: Oxford World Classics.
______ (1815). “Letter of Christmas Day, 1760.” Works of Laurence Sterne. Vol IV. Londres: Strahan. XX-XXV
Stewart, Allison (1995). “Large Noses and Changing Meanings in Sixteenth-century German Prints.” Print Quarterly 12 (4): 343-60. https://digitalcommons.unl.edu/artfacpub/7/.
Walsh, Marcus (2009). “Scriblerian satire, A Political Romance, the ‘Rabelaisian Fragment’, and the origins of Tristram Shandy.” The Cambridge Companion to Laurence Sterne, editado por Thomas Keymer. Cambridge: Cambridge University Press. 21-33.
______ (2015). “Goodness Nose: Sterne’s Slawkenbergius, the Real Presence, and the Shapeable Text.” Journal of Eighteenth Century Studies 17 (1): 55-66. https://doi.org/10.1111/j.1754-0208.1994.tb00168.x
Watt, Ian (1967). “The Comic Syntax of Tristram Shandy”. Studies in Criticism & Aesthetics 1660- 1800, editado por Howard Anderson y John Shea Minneapolis: University of Minnesota Press. 315-31.
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Jésica Daniela Lenga

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.