In a Minor Key: Visual Effects in Shake-Speare’s Sonnets

Authors

  • Alan F. Hickman American University in Bulgaria

Keywords:

Renaissance, England, Shakespeare, sonnet, typography, book design

Abstract

Students of the sonnets are no doubt aware that they abound in wordplay that rewards multiple readings. They may be less aware, especially if they are unfamiliar with the original 1609 Quarto edition, that the poems may have been arranged to have a visual impact as well.

The sonnet form itself is emblematic of a number of familiar referents, including an escutcheon, a “glass” (mirror), a leaf, and a seal. One might even see in the poems, as did Lady Mary Worth and John Donne in their “crowns” of sonnets, the links in a chain, or necklace. The sonnet form is roughly the poetic equivalent to the portrait miniature (a fad of the day) in art. I shall be pursuing these analogies in my paper.

The most striking visual effect occurs in Sonnet 126, the last of the “fair youth” sonnets, which consists of six rhymed couplets followed by...

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Published

2022-02-01

Issue

Vol. 21 (2011)

Section

Notes

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