"For know, alas, I’m dumb, alas I love”: Rhetoric of disability, female agency and tragedy in “The Dumb Virgin

Abstract

This essay will focus on the two sisters of "The Dumb Virgin; or, The Force of Imagination", addressing the crossover between disability studies, feminism and aesthetic theory. It will examine how art has the capacity to manipulate nature and how nature may be improved by the intervention of human industry. With this aesthetic duality, it will suggest that the writer reframes the concept of the normal body, establishing a rhetoric of deformity and disability through the characters of Belvideera and Maria, both of whom overcome their natural disabilities by means of personal effort. Lastly, it will investigate the misfortunes of several characters, paying particular attention to the educated nature of the two protagonists and how this poses a threat to the established order of society. The conclusion to be drawn from this is that their challenge to the social construct is directly responsible for the tragic climax of the narrative.