“Vibraciones empáticas”: música y lenguaje en la poesía de Moya Cannon

Autores/as

DOI:

https://doi.org/10.24162/EI2025-13159

Palabras clave:

Moya Cannon, poesía contemporánea irlandesa, ecocrítica, lenguaje poético, prosodia

Resumen

Este ensayo se centra en la poesía de Moya Cannon y en su idea del lenguaje poético como unión entre las personas y el espacio ambiental que habitan. A lo largo de su obra, Cannon muestra cómo el lenguaje poético, al que a menudo asocia con la música, está enraizado en la naturaleza gracias a su organización del sonido. Este ensayo pretende demostrar cómo, al profundizar sobre la relación entre la canción, lenguaje y espacio ambiental, Cannon no solamente aspira a expresar los misterios de naturaleza, sino a darles vida a través de los contornos semánticos y prosódicos construidos por sus versos.

Citas

Allen, Aaron S. (2011). “Prospects and Problems for Ecomusicology.” Journal of the American Musicological Society 64 (2): 414-24. https://doi.org/10.1525/jams.2011.64.2.414.

Attridge, Derek (1982). The Rhythms of English Poetry. London: Longman.

Braidotti, Rosi (2013). The Posthuman. Cambridge: Polity Press.

Cannon, Moya (2020). “A Door Opening.” New Hibernia Review 24 (2): 9-17. https://doi.org/10.1353/nhr.2020.0016.

______ (2007). Carrying the Songs. Manchester: Carcanet.

______ (2019). Donegal Tarantella. Manchester: Carcanet.

______ (2011). Hands. Manchester: Carcanet.

______ (2020). “Poem for St. Brigid’s Day: A Song at Imbolc.” The Irish Times (1 February). https://www.irishtimes.com/culture/books/poem-for-st-brigid-s-day-a-song-at-imbolc-1.4149091.

______ (2011). “Reassembling the Broken Jar.” New Hibernia Review 15 (1): 9-15. https://doi.org/10.1353/nhr.2011.0010.

______ (2009). “‘The Hospital,’ Patrick Kavanagh.” Irish University Review 39 (2): 189-94. https://www.jstor.org/stable/20720396

______ (2001). “The Poetry of What Happens.” My Self, My Muse: Irish Women Poets Reflect on Life and Art, edited by Patricia Boyle Haberstoh. Syracuse: Syracuse University Press: 124-32.

Coleridge, Samuel Taylor (1974). Poems, edited by John Beer. London: Dent.

Collin, Luci (2016). “The Poetic Reconstitution of Place in the Poetry of Moya Cannon: Roots, Land, Home and Language.” ABEI Journal 18: 159-70. https://doi.org/10.37389/abei.v18i0.3528.

Cusick, Christine (2005). “‘Our Language Was Tidal’: Moya Cannon’s Poetics of Place.” New Hibernia Review 9 (1): 59-76. https://doi.org/10.1353/nhr.2005.0019.

Flannery, Eóin (2018). Ireland and Ecocriticism. New York: Routledge.

Gilsenan Nordin, Irene (2010). “Elegy and Celebration: Landscape, Place and Dwelling in the Poetry of Moya Cannon.” Redefinitions of Irish Identity: A Postnationalist Approach, edited by Irene Gilsenan Nordin and Carmen Zamorano Llena. Bern: Peter Lang. 243-66.

Latour, Bruno (2018). “Down to Earth”: Politics in the New Climatic Regime, translated by Catherine Porter. Cambridge: Polity.

______ (2017). Facing Gaia: Eight Lectures on the New Climatic Regime, translated by Catherine Porter. London: Polity.

Mahon, Derek (2010). Autumn Wind. Loughcrew: The Gallery Press.

______ (2014). Red Sails. Loughcrew: The Gallery Press.

Meehan, Paula (2016). Geomantic. Dublin: Dedalus Press.

Pietrzak, Wit (2019). “‘I Could Read It Like Leaves’: Communion of Languages in Paula Meehan’s Geomantic.” New Hibernia Review 23 (2): 62-76. https://doi.org/10.1353/nhr.2019.0018.

Pound, Ezra (1968). Literary Essays. New York: New Directions.

Potts, Donna L. (2009). “Carrying the Songs (Review).” New Hibernia Review 13 (1): 143-44. https://doi.org/10.1353/nhr.0.0061

______ (2018). Contemporary Irish Writing and Environmentalism: The Wearing of the Deep Green. Cham: Palgrave.

______ (2021). “Songs in Stone: Moya Cannon and Ecomusicology.” Contemporary Irish Poetry and the Climate Crisis, edited by Andrew J. Auge and Eugene O’Brien. New York: Routledge: 35-54.

Rorty, Richard (1989). Contingency, Irony, and Solidarity. Cambridge: Cambridge University Press.

______ (2007). Philosophy as Cultural Politics. Cambridge: Cambridge University Press.

“Symphony.” Brittanica. https://www.britannica.com/art/symphony-music.

Yeats, W. B. (1954). The Letters of W. B. Yeats, edited by Allan Wade. London: Rupert Hart-Davis.

Publicado

17-03-2025

Cómo citar

Pietrzak, W. . (2025). “Vibraciones empáticas”: música y lenguaje en la poesía de Moya Cannon. Estudios Irlandeses, 20(1), 12–21. https://doi.org/10.24162/EI2025-13159